By Carissa Honeywell
A British Anarchist Tradition specializes in 3 modern British theorists and practitioners, Herbert learn, Colin Ward, and Alex convenience and appears at their interrelation, commonality, and collective effect on British radical thought.
The e-book goals to foster a better figuring out of anarchism as an highbrow reaction to twentieth century advancements and its effect on political concept and activities. For the 1st time, the paintings of those 3 writers is gifted as a practice, highlighting the consistency in their topics and matters. to take action, the e-book indicates how they addressed the issues confronted by means of glossy British society, with transparent strains of political, literary, and highbrow traditions linking them. It additionally makes a speciality of their contribution to the improvement of anarchist conceptions of freedom within the 20th century.
A British Anarchist Tradition identifies a space of anarchism that merits better severe, scholarly consciousness. Its targeted and thorough learn will make it a worthy source for somebody drawn to modern anarchist idea, political idea, and political movements.
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Extra resources for A British Anarchist Tradition: Herbert Read, Alex Comfort and Colin Ward
46 Comfort’s campaign against the atomic bomb started in 1945, and, as part of his work through the 1940s and 1950s, he pioneered the ‘new’ social-scientific approach to anarchism. The wider nuclear disarmament movement began to mobilize in 1957 in response to the British government’s plans to develop the hydrogen bomb. At the end of that year the Direct Action Committee (DAC) against nuclear war was formed and began direct action and industrial campaigns against the manufacture, testing and deployment of nuclear weapons.
His art criticism over the first half of the twentieth century was aimed at interpreting aesthetic modernism as a medium for radical and idealistic renewal. 29 In 1921, taking on the editorship of the works of T. E. Hulme, who was killed in the First World War, Read was exposed to a distinctive modernist case which emphasized the aesthetics of rational geometric form. The ideas of Hulme were at the heart of the English avant-garde of the early twentieth century and an important influence on Read’s contemporaries Wyndham Lewis, Ezra Pound and T.
This was the crucial underpinning for the political significance Read attributed to the spontaneous forms and harmonies of art. He stated it in these terms: ‘The most general law in nature is equity – the principle of balance and symmetry which guides the growth of forms along lines of the greatest structural efficiency. ’5 He also drew from the anarchist tradition a Proudhonian emphasis on the division and decentralization of political power and its dissolution in local and direct forms of social administration.